Il corso 5SRW è progettato per portare a qualsiasi studente dalle basi, a partire dai primi concetti, fino a situazioni più complesse sia in termini di illuminazione che di materiali. Le lezioni sono progressivamente strutturate per facilitare l’apprendimento, utilizzando V-Ray per 3ds Max.
LEZIONE Demo
ITALIANO – L’indice che segue è in Inglese per tutti. All’interno troverai tutti i video in Italiano.
Introduzione
02 RENDER SETTINGS
Explore the two main ways to render with V-Ray
03 V-RAY SUN & CAMERA
Learn how simple is adding a sun and a camera in a scene
04 V-RAY LIGHTS
The light sources that we will use working on the scenes
05 LIGHT HIERARCHY
Built the first light hierarchy using three sources
06 V-RAY FRAME BUFFER
Fix overexposurers with V-Ray Frame Buffer
07 V-RAY IES
How V-Ray IES works
08 V-RAY MATERIALS
Start creating V-Ray Materials from the scratch
09 V-RAY HDRI
How to light with HDRl maps
10 COLOR MAPPING
Understand the Color Mapping
Extra V-RAY LIGHT SELECT
Use the V-Ray Light Select element for Post-Production
Extra PHYSICAL VS V-RAY PHYSICAL
Learn the relevant aspect of a camera, so you can easily use both
Chapter 03
18 LIGHT BALANCE / SPOTS
SpotLights and VRaylights for complex light balance
19 FLOOR GENERATOR
How to create/model a photorealistic floor using a script
20 A – CURTAINS & LIGHT
Simulate the sun passing through the curtain
20 B – CARPETS WITH FUR
How to easily create a carpet with V-Ray Fur
21 POST-PRODUCTION
The ‘Sandwich’ technique to control overexposures in Photoshop
Chapter 04
22 LIGHT BALANCE / IES
How to create an interior light hiearchy mixing IES and VRayLights
23 A – MATERIALS
How an emissive material works, in comparison with the V-Ray Light
23 B – LIGHT BALANCE / IES
Simulate a realistic calm water, with little movements
23 C – MATERIALS
How to use reflections map to increase the amount of details and realism
24 A – AMBIENT OCCUSION
How to enable and use the Ambient Occlusion pass
24 B – POST-PRODUCTION
How to composite a double AO layers with Photoshop
Chapter 05
25 LIGHT BALANCE / GPU
Create a light balance for exteriors, using V-Ray GPU (former Real Time, RT)
26 A – COLOR MAPPING
Handle Fresnel IOR to create photorealistic glass / exteriors
26 B – MATERIALS
How to use the fall off effect and the reflection map to have more details
27 A – RENDER ELEMENTS
How to create and use the render elements for a post-production
27 B – POST-PRODUCTION
It’s the magical moment of the day, when the sun is close to the horizon
Chapter 06
28 LIGHT BALANCE / NATURAL
Realistic natural light with V-Ray Sun and Curtains
29 MATERIALS
Traslucency: VRay2Sided Materials and VRay SSS2
30 A – FINAL RENDER
Let’s create another shot with the depth of field effect
30 B – WHITE BALANCE
Let’s carry out an advanced white balance technique
31 NIGHT LIGHTING
Use VRay Reflections, night effect
Chapter 10
41 DNA – INTRO & CONCEPTS
Handle V-Ray Camera, Lights and spaces for lighintg schemes – 4:23
42 DNA – DAYLIGHT LOFT
SCENE – Daylight Loft, VRayportal for natural light (Lighting Template)
43 DNA – MAGIC ROOM
SCENE – Use VRayLens to get the magic into ‘Magic Room’ (Lighting Template)
44 DNA – LAKE HOUSE
SCENE – How a simple VRayDome + VRaySKy can create the magic ‘Lake House’ (Lighting Template)
45 DNA – BLACK & WHITE
SCENE – VRaySun + Portal + IES + VRayLight in Black&White interior (Lighting Template)
46 DNA – ART ROOM
SCENE – VraySphere Light and IES in Art Room (Lighting Template)
47 DNA – CARAVAGGIO STYLE
SCENE – Use VRaySun multipler for Caravaggio Style (Lighting Template)
48 DNA – BONILLA LIGHT
SCENE – Natural and bright light in Bonilla Lighting (Lighting Template)
49 DNA – WINTER VILLA
SCENE – Dusk lighting in exteriors (Lighting Template)
50 DNA – AIRPORT CONCEPT
SCENE – Use this complex lighting for big spaces like an airport (Lighting Template)
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